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4 5 6 Mahmoud Hanfy Mahmoud of the Association for Human rights and Social Justice requested that the film be banned as potentially inciting women to injure mens genitals with sharp tools, but filmmakers argued that it did not encourage but merely documented the practice of some women carrying such tools for selfdefense. 2 3 The filmmaker denied any intent to defame Egypt, as the issues are universal. Controversies around the film include a threatened lawsuit by Egyptian pop singer Tamer Hosny for the films use of his song, as he did not wish it associated with the subject, 1 and an attempt by attorney Abdel Hamid Shabaan to block the film from the Festival due to its poor portrayal of Egypt. The film took top prize in the 2010 Dubai International Film Festival, Muhr Arab category. 2 The film won a 2012 Sundance Film Festival award, it won the Golden Apricot at the 2012 Yerevan International Film Festival, Armenia, for Best Documentary Film, won the 2013 International Emmy Award, 3 4 and was nominated for a 2012 Academy Award.Ħ78 Arabic feelm sitta seba thamaniyya is a 2010 Egyptian film by director Mohamed Diab focusing on the sexual harassment of women in Egypt.
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Structured around the destruction of Burnats cameras, the filmmakers collaboration follows one familys evolution over five years of turmoil. In 2009 Israeli codirector Guy Davidi joined the project. The documentary was shot almost entirely by Palestinian farmer Emad Burnat, who bought his first camera in 2005 to record the birth of his youngest son.
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5 Broken Cameras is a firsthand account of protests in Bilin, a West Bank village affected by the Israeli West Bank barrier. It was shown at film festivals in 2011 and placed in general release by Kino Lorber in 2012. The Noor phenomenon created a forum where conflicting notions of Middle Eastern identity, sexual agency and gender relations vie for dominance.Directed by: Emad Burnat Guy Davidi Release Date: ĥ Broken Cameras Arabic Khamas Kamrt Muaamah Hebrew Hamesh Matslemot Shvurot is a 94minute documentary film codirected by Palestinian Emad Burnat and Israeli Guy Davidi. Special thanks to Fatma Asef, Batool Khattab, Nader Morkus, and Ahmad Soliman for. The series' ambiguity, like that of Turkey itself, invokes binaries of East and West, Islam and secularism, tradition and modernity enabling a range of commentary on the state of Arab society in general and sexual relations in particular. Quelques aspects du fonctionnement de la ngation en arabe marocain. Opposition to Noor-and to the idolization of its male lead-invokes older notions of women's potent sexual desire as a threat to the social order, and justifies their containment and control. It explores women's use of new media forms-satellite television and the Internet-to articulate desire and discontent, and the media panic these expressions induced among social and religious conservatives. This article combines content analysis of Noor, examination of online discourses surrounding the series, and interviews with its producers. Arab news media attributed a wave of domestic violence and divorce to the series' handsome lead actor, and his character's romantic deportment. Abstract : In the summer of 2008, the Saudi-owned, pan-Arab satellite television network Middle East Broadcasting Center (MBC) aired a failed Turkish soap opera, Gumus, as the Arabized Noor, creating an overnight sensation and a media panic.
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